Percussion Sequence (From "Night Mail")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Britten on Film
Verschiedene Interpret:innen
Britten
This Is the Night Mail Crossing the Border (From "Night Mail")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Britten: The Tocher Suite
II. Allegretto
Choir of King Edward's School at Birmingham, Martyn Brabbins, Birmingham Contemporary Music Group
V. Allergro Con Brio
Birmingham Contemporary Music Group, Martyn Brabbins, Choir of King Edward's School at Birmingham
Britten
Britten
Lento Ma Non Troppo. Entry to Lithograph Works (From "the King's Stamp")
Malcolm Wilson
Allegro Moderato. Stamp Factory - Machine Starts (From "the King's Stamp")
Malcolm Wilson, Chris Richards, Clare Findlater
Minuet. Andante Lento (From "the King's Stamp")
Malcolm Wilson
Allegretto. Train Sequence (From "the King's Stamp")
Allegretto. Parliament - The Stamp Bill (From "the King's Stamp")
Clare Findlater, Chris Richards, Malcolm Wilson
Allegro (From "the King's Stamp")
Clare Findlater, Malcolm Wilson
Britten
Allegro Moderato Alla Marcia (From "the King's Stamp")
Allegro Appassionato. Title Music (From "Negroes")
Martyn Brabbins, Daniel Auchincloss, Birmingham Contemporary Music Group
Allegro. in the Middle Ages (From "Negroes")
Martyn Brabbins, Birmingham Contemporary Music Group, Daniel Auchincloss, City of Birmingham Symphony Chorus, Adam Green
Allegro. Then the Portuguese and Spaniards (From "Negroes")
Birmingham Contemporary Music Group, Martyn Brabbins, City of Birmingham Symphony Chorus, Daniel Auchincloss
Allegro Ritmico. at the Mouth of the Senegal (From "Negroes")
Birmingham Contemporary Music Group, Martyn Brabbins, Daniel Auchincloss, City of Birmingham Symphony Chorus
Andante Con Moto. to Sail from Africa to Jamaica (From "Negroes")
Mary Carewe, City of Birmingham Symphony Chorus, Daniel Auchincloss, Martyn Brabbins, Birmingham Contemporary Music Group
Andante Lento. the More Advanced Thinkers in Europe (From "Negroes")
City of Birmingham Symphony Chorus, Martyn Brabbins, Birmingham Contemporary Music Group, Mary Carewe, Daniel Auchincloss
Andante Con Molto Moto. Still at Their Accustomed Hour (From "Negroes")
Allegro Ritmico. Coffee from the Blue Mountains (From "Negroes")
Allegro. Introduction (From "the Way to the Sea")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Andante Maestoso. Romans (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Andante Maestoso. Alfred (From "the Way to the Sea")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Moderato. There Is, at This Point of the Haven (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Allegro. the Eighteenth Century (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Allegro Con Fuoco. Nelson Has Gone (From "the Way to the Sea")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Lento E Pesante. 169 Trains a Week (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
The Line Waits (From "the Way to the Sea")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Più Lento. Here Is a Harbour (From "the Way to the Sea")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Slow. We Seek a Spectacle (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Allegro Molto - Alla Marcia (From "the Way to the Sea")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Telegrams
Martyn Brabbins, Choir of King Edward's School at Birmingham, Birmingham Contemporary Music Group
Britten
Andantino. I Dreamt That I Dwelt in Marble Halls (From "Men Behind the Meters")
Allegro Moderato. 1935 Sequence (From "Men Behind the Meters")
Andante (From "Coal Face) [1]
A Sterile Landscape (From "Coal Face")
Birmingham Contemporary Music Group, Martyn Brabbins, Simon Russell Beale
Andante. Coal Mining Is the Basic Industry of Britain (From "Coal Face")
Martyn Brabbins, Birmingham Contemporary Music Group, City of Birmingham Symphony Chorus, Simon Russell Beale
Yorkshire and Landscape (From "Coal Face")
Martyn Brabbins, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Simon Russell Beale
Moderato. the Temperature Often Reaches (From "Coal Face")
Malcolm Wilson, Martyn Brabbins, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Simon Russell Beale
Andante. the Seven and a Half Hour Shift (From "Coal Face")
Martyn Brabbins, Birmingham Contemporary Music Group, City of Birmingham Symphony Chorus, Simon Russell Beale
Ad Libitum Sempre. One Thirty a.M (From "Coal Face")
Birmingham Contemporary Music Group, Martyn Brabbins, Mike Flower, Daniel Auchincloss, Simon Russell Beale, Adam Green
Allegro Ma Non Troppo. in Many Pits (From "Coal Face")
Birmingham Contemporary Music Group, City of Birmingham Symphony Chorus, Martyn Brabbins, Simon Russell Beale
Allegro Molto. the Shift Is Finished (From "Coal Face")
Martyn Brabbins, Birmingham Contemporary Music Group, City of Birmingham Symphony Chorus, Simon Russell Beale
Making up Coal Trains (From "Coal Face")
Martyn Brabbins, Birmingham Contemporary Music Group, Simon Russell Beale
Allegro. Coal Mining Is the Basic Industry of Britain (From "Coal Face")
Birmingham Contemporary Music Group, Martyn Brabbins, City of Birmingham Symphony Chorus, Simon Russell Beale
Britten
Andante (From "Coal Face) [2]
Martyn Brabbins, City of Birmingham Symphony Chorus, Birmingham Contemporary Music Group, Simon Russell Beale
Produktion
- Colin MatthewsProduzent:in
- Andrew WaltonMischtechniker:in