- Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Hiram Sherman, Samuel Matlowsky, Studio Orchestra, Scott Merrill, Jean Sanders, William Malten, Jane Connell, Lotte Lenya, Evelyn Lear, Bob Shaver, Burgess Meredith, Studio Chorus, Thomas Stewart
- Willy Trenk-Trebitsch, Erich Ponto, Arthur Schroeder, Lewis Ruth Band, Lotte Lenya, Marek Weber, Theo Mackeben, Kurt Gerron, Studio Pianist, Bertolt Brecht, Carola Neher, Gerda Madsen, Erika Helmke, Florelle, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Marek Weber Orchester
- Gunther Arndt Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Wolfgang Grunert, Berlin Sender Freies Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
