- Trude Hesterberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra
- Burgess Meredith, Lotte Lenya, Evelyn Lear, Jean Sanders, Jane Connell, Bob Shaver, Studio Chorus, Thomas Stewart, Hiram Sherman, William Malten, Studio Orchestra, Scott Merrill, Samuel Matlowsky
- Marek Weber Orchester, Arthur Schroeder, Willy Trenk-Trebitsch, Lewis Ruth Band, Studio Orchestra, Carola Neher, Studio Pianist, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Kurt Gerron, Studio Chorus, Bertolt Brecht, Theo Mackeben, Erika Helmke, Florelle, Gerda Madsen, Lotte Lenya, Marek Weber
- Berlin Sender Freies Orchestra, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Kurt Hellwig
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
