- Helmuth Rilling, Bach-Collegium Stuttgart, Uta Spreckelsen, Kathrin Graf, Gächinger Kantorei Stuttgart, Niklaus Tüller, Frankfurt Kantorei, Philippe Huttenlocher, Stuttgart Figuralchor der Gedachtniskirche, Helen Watts, Wolfgang Schöne, Júlia Hamari, Walter Heldwein, Adalbert Kraus, Erika Schmidt-Valentin, Indiana University Chamber Singers, Arleen Auger, Aldo Baldin, Bach Ensemble, The
- Bavarian Radio Chorus, Günter Wand, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Adolf Dallapozza, Karl Ridderbusch, Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Júlia Hamari, Wolfram Gehring, Cornelia Wulkopf, Koln Radio Choir, Cologne Radio Symphony Orchestra
- John Newton, Giorgio Tozzi, Thomas Schippers, Robert El Hage, Laura Londi, Corinne Vozza, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Orchestra, Júlia Hamari, Hartje Mueller, Carlo Bergonzi, Ezio Flagello, Orchestra of the Rome Opera House, Arturo Basile, Oliviero de Fabritiis, Leontyne Price, RCA Italiana Opera Chorus, Daniel Guss, Mario Sereni, Reri Grist, Fernando Iacopucci, Francesco Molinari-Pradelli
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
