- Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Bob Shaver, Scott Merrill, Samuel Matlowsky, Hiram Sherman, Jean Sanders, Studio Chorus, Thomas Stewart, William Malten, Burgess Meredith, Lotte Lenya, Evelyn Lear, Studio Orchestra, Jane Connell
- Carola Neher, Studio Pianist, Theo Mackeben, Arthur Schroeder, Kurt Gerron, Lewis Ruth Band, Willy Trenk-Trebitsch, Studio Chorus, Erich Ponto, Marek Weber Orchester, Bertolt Brecht, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Studio Orchestra, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Inge Wolffberg, Kurt Hellwig, Wolfgang Neuss, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Wolfgang Grunert
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
