- Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Bob Shaver, Hiram Sherman, Samuel Matlowsky, Jane Connell, Studio Orchestra, Scott Merrill, William Malten, Studio Chorus, Thomas Stewart, Burgess Meredith, Jean Sanders, Lotte Lenya, Evelyn Lear
- Carola Neher, Arthur Schroeder, Erich Ponto, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Bertolt Brecht, Studio Pianist, Studio Orchestra, Gerda Madsen, Theo Mackeben, Studio Chorus, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Willy Trenk-Trebitsch, Kurt Hellwig, Gunther Arndt Orchestra, Wolfgang Neuss, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Inge Wolffberg, Trude Hesterberg, Wolfgang Grunert, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
