- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Sender Freies Berlin Orchestra, Inge Wolffberg, Wolfgang Neuss
- Samuel Matlowsky, Scott Merrill, Bob Shaver, Studio Orchestra, Burgess Meredith, Thomas Stewart, Studio Chorus, Jean Sanders, William Malten, Hiram Sherman, Lotte Lenya, Evelyn Lear, Jane Connell
- Marek Weber Orchester, Kurt Gerron, Willy Trenk-Trebitsch, Gerda Madsen, Bertolt Brecht, Erich Ponto, Lotte Lenya, Marek Weber, Arthur Schroeder, Studio Pianist, Florelle, Erika Helmke, Studio Orchestra, Carola Neher, Ruth Lewis Band, Theo Mackeben, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Studio Chorus
- Wolfgang Neuss, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Inge Wolffberg, Kurt Hellwig, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Paul Otto Kuster, Josef Hausmann, Trude Hesterberg, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Martin Hoeppner
- Lotte Lenya, Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
