- Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert
- Samuel Matlowsky, Burgess Meredith, Studio Orchestra, William Malten, Thomas Stewart, Jane Connell, Hiram Sherman, Scott Merrill, Studio Chorus, Lotte Lenya, Evelyn Lear, Jean Sanders, Bob Shaver
- Erich Ponto, Erika Helmke, Florelle, Arthur Schroeder, Lotte Lenya, Marek Weber, Studio Chorus, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Theo Mackeben, Bertolt Brecht
- Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Kurt Hellwig, Martin Hoeppner, Berlin Sender Freies Orchestra, Inge Wolffberg, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
