- Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin
- Bob Shaver, Samuel Matlowsky, William Malten, Studio Chorus, Thomas Stewart, Jane Connell, Hiram Sherman, Burgess Meredith, Studio Orchestra, Scott Merrill, Jean Sanders, Lotte Lenya, Evelyn Lear
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Carola Neher, Gerda Madsen, Arthur Schroeder, Studio Pianist, Bertolt Brecht, Studio Chorus, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Erich Ponto
- Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Kurt Hellwig, Wolfgang Grunert, Berlin Sender Freies Orchestra, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Neuss
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
