- Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Studio Orchestra, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Scott Merrill, Jean Sanders, Bob Shaver, Burgess Meredith, Hiram Sherman, Jane Connell, William Malten
- Lewis Ruth Band, Erika Helmke, Florelle, Studio Chorus, Arthur Schroeder, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Studio Orchestra, Carola Neher, Bertolt Brecht, Theo Mackeben, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Studio Pianist, Lotte Lenya, Marek Weber
- Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Trude Hesterberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Willy Trenk-Trebitsch, Kurt Hellwig, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Berlin Sender Freies Orchestra
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
