- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Neuss, Sender Freies Berlin Orchestra, Inge Wolffberg, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert
- Studio Chorus, Thomas Stewart, Burgess Meredith, William Malten, Samuel Matlowsky, Bob Shaver, Studio Orchestra, Jean Sanders, Jane Connell, Lotte Lenya, Evelyn Lear, Scott Merrill, Hiram Sherman
- Theo Mackeben, Lewis Ruth Band, Lotte Lenya, Marek Weber, Erich Ponto, Gerda Madsen, Bertolt Brecht, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Florelle, Erika Helmke, Studio Chorus, Carola Neher, Arthur Schroeder, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Marek Weber Orchester, Kurt Gerron
- Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Martin Hoeppner, Wolfgang Neuss, Inge Wolffberg, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Paul Otto Kuster, Josef Hausmann, Wolfgang Grunert
- Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
