- Wolfgang Grunert, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Lotte Lenya, Evelyn Lear, Scott Merrill, Hiram Sherman, Studio Orchestra, Jane Connell, William Malten, Bob Shaver, Studio Chorus, Thomas Stewart, Burgess Meredith, Samuel Matlowsky, Jean Sanders
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Studio Chorus, Theo Mackeben, Carola Neher, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Erich Ponto, Gerda Madsen, Bertolt Brecht, Studio Pianist, Studio Orchestra
- Berlin Sender Freies Chorus, Kurt Hellwig, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Inge Wolffberg, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Martin Hoeppner
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
