- Trude Hesterberg, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Grunert, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Jean Sanders, Hiram Sherman, Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Jane Connell, Bob Shaver, Studio Chorus, Thomas Stewart, Burgess Meredith, Scott Merrill
- Theo Mackeben, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Carola Neher, Studio Chorus, Erich Ponto, Lewis Ruth Band, Willy Trenk-Trebitsch, Bertolt Brecht, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Gunther Arndt Orchestra, Wolfgang Neuss, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Willy Trenk-Trebitsch
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
