- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Chor des Sender Freies Berlin
- Bob Shaver, Jane Connell, Studio Chorus, Thomas Stewart, Samuel Matlowsky, William Malten, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Orchestra, Burgess Meredith, Hiram Sherman, Jean Sanders
- Gerda Madsen, Arthur Schroeder, Erich Ponto, Willy Trenk-Trebitsch, Carola Neher, Kurt Gerron, Lewis Ruth Band, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Studio Orchestra, Erika Helmke, Florelle, Studio Chorus, Lotte Lenya, Marek Weber, Bertolt Brecht, Studio Pianist
- Willy Trenk-Trebitsch, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Wolfgang Neuss, Kurt Hellwig, Berlin Sender Freies Chorus, Wolfgang Grunert, Berlin Sender Freies Orchestra, Trude Hesterberg
- Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
