- Bruna Rizzoli, Gianandrea Gavazzeni, Alda Noni, Coro de Milano della RAI, Sesto Bruscantini, Afro Poli, Orchestra Sinfonica Nazionale della RAI di Milano, Cesare Valletti
- Richard Decker, Monica Bacelli, Anna Caterina Antonacci, Albert Dohmen, Marchigiana Philharmonic Orchestra, Gustav Kuhn
- Coro di Roma della RAI, Massimiliano Malaspina, Emilia Ravaglia, Adriana Guerrini, Sesto Bruscantini, Orchestra Sinfonica Di Roma Della RAI, Carlo Franci, Coro di Milan della RAI, Aldo Bottion, Elena Zilio, Orchestra sinfonica di Milan della RAI, Ralph Lambert, Alfredo Simonetto
- Vittorio Gui, Sesto Bruscantini, Juan Oncina, Glyndebourne Festival Orchestra, Alda Noni, Marina De Gabarain
- The Glyndebourne Chorus, Ilva Ligabue, Geraint Evans, Vittorio Gui, Royal Philharmonic Orchestra, Hugues Cuénod, Sesto Bruscantini
- Mirella Freni, Carlo Felice Cillario, Sesto Bruscantini, Enzo Sordello, The Glyndebourne Chorus, Luigi Alva, Emily Maire, Royal Philharmonic Orchestra
- Orchestra da Camera "Scarlatti" di Napoli della RAI, Franco Caracciolo
Sesto Bruscantini
Biography
Not many historical details are known about this Italian bass baritone who is mainly famous for his comic opera roles. At some point after earning a law degree, Bruscantini studied voice with Luigi Ricci, who was the noted author of Cadenzas, a well-known text on the art of bel canto singing. Bruscantini made his debut in 1946 at Porto Civitanova in Puccini's La bohème and went on to create 130 parts in 108 operas. He was best known for his role in Rossini's Il barbière di Siviglia (The Barber of Seville), but he also sang in operas that were seldom produced, such as Piccinni's La Buona Figliuola and Boccherini's La Clementina. Bruscantini was often heard in the 1950s at famous houses like La Scala, Glyndebourne, and so on, and he sang on-stage well into in the 1990s.