I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, London Symphony Orchestra, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Highgate School Boys Choir, Collegiate Chorale, Israel Philharmonic Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, New York Philharmonic
III. Comodo. Scherzando
Leonard Bernstein, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum
IV. Sehr langsam; Misterioso
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Women's Chorus of The Schola Cantorum, Leonard Bernstein, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
London Symphony Chorus, Leeds Festival Chorus, Leonard Bernstein, Highgate School Boys Choir, London Symphony Orchestra, Orpington Junior Singers, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Highgate School Boys Choir, Leonard Bernstein, Finchley Children's Music Group, London Symphony Chorus, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Orchestra
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen