I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Israel Philharmonic Orchestra, Collegiate Chorale, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, London Symphony Orchestra, Highgate School Boys Choir
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum
III. Comodo. Scherzando
New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration
IV. Sehr langsam; Misterioso
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Leonard Bernstein, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Women's Chorus of The Schola Cantorum, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
London Symphony Orchestra, Leonard Bernstein, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, Highgate School Boys Choir, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leonard Bernstein, Leeds Festival Chorus, Finchley Children's Music Group, Highgate School Boys Choir, London Symphony Orchestra, London Symphony Chorus, Orpington Junior Singers
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen