I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Israel Philharmonic Orchestra, Collegiate Chorale, Highgate School Boys Choir, London Symphony Orchestra, New York Philharmonic
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Leonard Bernstein, Collegiate Chorale, New York Philharmonic, Lee Venora, Jennie Tourel
II. Tempo di Menuetto
Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic
III. Comodo. Scherzando
Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic
IV. Sehr langsam; Misterioso
Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, New York Philharmonic, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Boys' Choir of The Church of The Transfiguration, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, London Symphony Orchestra, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, Leonard Bernstein, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leonard Bernstein, Orpington Junior Singers, London Symphony Chorus, Leeds Festival Chorus, London Symphony Orchestra, Finchley Children's Music Group, Highgate School Boys Choir
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen