- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Chor des Sender Freies Berlin, Wolfgang Neuss
- Lotte Lenya, Evelyn Lear, Burgess Meredith, Studio Chorus, Jean Sanders, Jane Connell, Scott Merrill, William Malten, Bob Shaver, Thomas Stewart, Samuel Matlowsky, Hiram Sherman, Studio Orchestra
- Erich Ponto, Arthur Schroeder, Gerda Madsen, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Bertolt Brecht, Willy Trenk-Trebitsch
- Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Martin Hoeppner, Inge Wolffberg, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wolfgang Neuss, Kurt Hellwig
- Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
