- Wolfgang Neuss, Trude Hesterberg, Sender Freies Berlin Orchestra, Inge Wolffberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin
- Lotte Lenya, Evelyn Lear, Studio Orchestra, Jane Connell, Burgess Meredith, Studio Chorus, Thomas Stewart, Samuel Matlowsky, William Malten, Jean Sanders, Hiram Sherman, Scott Merrill, Bob Shaver
- Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Arthur Schroeder, Theo Mackeben, Studio Pianist, Carola Neher, Studio Orchestra, Marek Weber Orchester, Lewis Ruth Band, Kurt Gerron, Gerda Madsen, Studio Chorus, Florelle, Erika Helmke, Bertolt Brecht, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Erich Ponto
- Paul Otto Kuster, Josef Hausmann, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Trude Hesterberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Berlin Sender Freies Orchestra, Kurt Hellwig, Martin Hoeppner
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
