- Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra
- William Malten, Lotte Lenya, Evelyn Lear, Bob Shaver, Jane Connell, Scott Merrill, Jean Sanders, Hiram Sherman, Burgess Meredith, Studio Chorus, Thomas Stewart, Studio Orchestra, Samuel Matlowsky
- Theo Mackeben, Arthur Schroeder, Erich Ponto, Willy Trenk-Trebitsch, Studio Chorus, Carola Neher, Bertolt Brecht, Gerda Madsen, Erika Helmke, Florelle, Studio Pianist, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Grunert, Martin Hoeppner, Trude Hesterberg, Inge Wolffberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
