- Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert
- Bob Shaver, Hiram Sherman, William Malten, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Orchestra, Burgess Meredith, Studio Chorus, Thomas Stewart, Scott Merrill, Samuel Matlowsky, Jane Connell
- Studio Chorus, Willy Trenk-Trebitsch, Gerda Madsen, Carola Neher, Lewis Ruth Band, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Arthur Schroeder, Bertolt Brecht, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Erich Ponto
- Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Kurt Hellwig, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
