- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss
- Bob Shaver, Studio Chorus, Burgess Meredith, Studio Orchestra, Jean Sanders, Scott Merrill, Hiram Sherman, Thomas Stewart, Lotte Lenya, Evelyn Lear, Jane Connell, William Malten, Samuel Matlowsky
- Studio Pianist, Studio Orchestra, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Arthur Schroeder, Studio Chorus, Lewis Ruth Band, Carola Neher, Erich Ponto, Theo Mackeben, Gerda Madsen, Lotte Lenya, Marek Weber, Bertolt Brecht
- Berlin Sender Freies Orchestra, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Berlin Sender Freies Chorus, Wolfgang Neuss, Gunther Arndt Orchestra, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Inge Wolffberg, Wilhelm Brückner-Rüggeberg
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
