- Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg
- Samuel Matlowsky, William Malten, Jean Sanders, Jane Connell, Studio Orchestra, Lotte Lenya, Evelyn Lear, Hiram Sherman, Burgess Meredith, Studio Chorus, Thomas Stewart, Scott Merrill, Bob Shaver
- Studio Pianist, Studio Orchestra, Erich Ponto, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Gerda Madsen, Willy Trenk-Trebitsch, Theo Mackeben, Bertolt Brecht, Carola Neher, Studio Chorus, Lewis Ruth Band
- Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Inge Wolffberg, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Trude Hesterberg, Martin Hoeppner, Wolfgang Grunert, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
