- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Bob Shaver, Samuel Matlowsky, Hiram Sherman, Scott Merrill, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Studio Chorus, Thomas Stewart, Burgess Meredith, Jane Connell
- Carola Neher, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Theo Mackeben, Erika Helmke, Florelle, Arthur Schroeder, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Bertolt Brecht, Erich Ponto, Studio Chorus, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Wolfgang Neuss, Willy Trenk-Trebitsch, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Gunther Arndt Orchestra, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Kurt Hellwig
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
