- Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss
- Samuel Matlowsky, Burgess Meredith, Studio Orchestra, Jane Connell, Lotte Lenya, Evelyn Lear, Scott Merrill, Bob Shaver, William Malten, Studio Chorus, Thomas Stewart, Jean Sanders, Hiram Sherman
- Carola Neher, Gerda Madsen, Arthur Schroeder, Studio Orchestra, Erika Helmke, Florelle, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber, Lewis Ruth Band, Willy Trenk-Trebitsch, Studio Pianist, Studio Chorus, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Erich Ponto
- Willy Trenk-Trebitsch, Wolfgang Grunert, Berlin Sender Freies Orchestra, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Inge Wolffberg, Berlin Sender Freies Chorus, Trude Hesterberg, Martin Hoeppner, Gunther Arndt Orchestra
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
