- Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Sender Freies Berlin Orchestra, Inge Wolffberg, Chor des Sender Freies Berlin
- Studio Orchestra, Samuel Matlowsky, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Bob Shaver, Jane Connell, Jean Sanders, Burgess Meredith, Hiram Sherman, William Malten
- Arthur Schroeder, Studio Pianist, Carola Neher, Erich Ponto, Studio Chorus, Lotte Lenya, Marek Weber, Gerda Madsen, Marek Weber Orchester, Kurt Gerron, Willy Trenk-Trebitsch, Florelle, Erika Helmke, Theo Mackeben, Studio Orchestra, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Bertolt Brecht, Lewis Ruth Band
- Martin Hoeppner, Wolfgang Grunert, Gunther Arndt Orchestra, Inge Wolffberg, Willy Trenk-Trebitsch, Paul Otto Kuster, Josef Hausmann, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Trude Hesterberg, Wolfgang Neuss, Kurt Hellwig, Berlin Sender Freies Chorus
- Erich Ponto, Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
