
- EDITOR’S CHOICE
- The master behind The Four Seasons and scores of sprightly concertos.
Antonio Vivaldi
- Wu Wei, Janne Saksala, Martin Stegner
- Orchestre de l'Opéra Royal, Logan Lopez Gonzalez, Stefan Plewniak, Nicolò Balducci
- Ilyas Nevretdinov
- Jonathan Hill, Andy Findon
- Luka Sulic, Simon Kravos, Acies Quartett
- caterva musica
- Kieran Raymond White, Chiara Cattani, Barockorchester: Jung, Chelsea Zurflüh, Eline Welle, Nicolò Balducci, Vojtěch Pelka, Yevhen Rakhmanin
- Adam Kostecki, Hanover Chamber Orchestra
- Polish Chamber Philharmonic Orchestra, Boguslaw Dawidow
- Federica Mosa, Alessandra Pipitone
- Various Artists
- Benjamin Godard, Pyotr Ilyich Tchaikovsky, Neville Marriner, Georges Bizet, Jules Massenet, Christoph Willibald Gluck, Johann Pachelbel, Edvard Grieg, Johann Sebastian Bach, George Frideric Handel, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Marc-Antoine Charpentier, Tomaso Albinoni, Nikolai Rimsky-Korsakov, Jacques Offenbach, Gabriel Fauré, Antonio Vivaldi
Biography
A man for all seasons, Vivaldi was a violinist, composer, priest and shrewd businessman. Born in 1678 and based in Venice, he composed in every major form and was celebrated by his contemporaries as a virtuoso performer with a talent for spellbinding improvisation. His concerto style is more about solo display than team play, with unpredictable, sometimes wildly inventive solos held in check by regular orchestral passages (ritornellos) that map out the melodic and harmonic landscape. Using this ritornello form, Vivaldi laid the foundations of the solo concerto in collections like L’estro armonico Op. 3 (1711), which influenced a generation—including Bach. Vivaldi also had a taste for colourful orchestration and a love of the natural world, conjuring up cuckoos, storms and, most famously, the Four Seasons (Op. 8, 1725). Vivaldi’s ambitious church music—like the large-scale Gloria RV 589 for soloists, choir, and orchestra—was mostly written for services and sacred concerts given by the gifted young musicians of the Pietà, the famous orphanage for girls in Venice where Vivaldi taught. Interest in Vivaldi’s concertos and church music has long overshadowed his theatrical work, where recent research suggests he was one of the most prolific opera composers and impresarios of the late Baroque: Between 1713 and his death in 1741, he was involved in around 70 productions, including the magic-themed Orlando furioso RV 728 (1727), featuring one of opera’s first great mad scenes.