- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch
- Scott Merrill, Hiram Sherman, Jane Connell, Studio Orchestra, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Jean Sanders, Bob Shaver, Burgess Meredith, Studio Chorus, Thomas Stewart, William Malten
- Studio Chorus, Carola Neher, Erika Helmke, Florelle, Gerda Madsen, Willy Trenk-Trebitsch, Ruth Lewis Band, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Theo Mackeben, Studio Orchestra, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Pianist, Kurt Gerron, Marek Weber Orchester
- Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Kurt Hellwig, Inge Wolffberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Trude Hesterberg, Wolfgang Neuss
- Berliner Staatsoper Orchester, Bertolt Brecht, Otto Klemperer, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
