- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch
- Bob Shaver, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Jane Connell, William Malten, Studio Orchestra, Studio Chorus, Thomas Stewart, Scott Merrill, Jean Sanders, Hiram Sherman, Burgess Meredith
- Studio Chorus, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Studio Pianist, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra, Willy Trenk-Trebitsch, Arthur Schroeder, Lotte Lenya, Marek Weber, Gerda Madsen, Carola Neher, Bertolt Brecht, Lewis Ruth Band, Erich Ponto
- Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Berlin Sender Freies Chorus, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Inge Wolffberg, Trude Hesterberg, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Kurt Hellwig
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
