- Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss
- Jane Connell, William Malten, Hiram Sherman, Burgess Meredith, Jean Sanders, Bob Shaver, Studio Chorus, Thomas Stewart, Scott Merrill, Samuel Matlowsky, Studio Orchestra, Lotte Lenya, Evelyn Lear
- Kurt Gerron, Marek Weber Orchester, Carola Neher, Studio Pianist, Lotte Lenya, Marek Weber, Theo Mackeben, Willy Trenk-Trebitsch, Studio Orchestra, Lewis Ruth Band, Erika Helmke, Florelle, Erich Ponto, Bertolt Brecht, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Studio Chorus, Gerda Madsen
- Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Trude Hesterberg, Berlin Sender Freies Chorus, Inge Wolffberg, Martin Hoeppner, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg
- Lotte Lenya, Berliner Staatsoper Orchester, Bertolt Brecht, Otto Klemperer
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
