- Helmuth Rilling, Uta Spreckelsen, Bach Ensemble, The, Arleen Auger, Indiana University Chamber Singers, Kathrin Graf, Wolfgang Schöne, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Philippe Huttenlocher, Adalbert Kraus, Erika Schmidt-Valentin, Aldo Baldin, Bach-Collegium Stuttgart, Helen Watts, Gächinger Kantorei Stuttgart, Stuttgart Figuralchor der Gedachtniskirche, Júlia Hamari
- Brigitte Durrler, Bavarian Radio Symphony Orchestra, Cologne Radio Symphony Orchestra, Wolfram Gehring, Günter Wand, Júlia Hamari, Margaret Marshall, Kunizaku Ohashi, Werner Krenn, Karl Ridderbusch, Bavarian Radio Chorus, Adolf Dallapozza, Cornelia Wulkopf, Koln Radio Choir
- Fernando Iacopucci, Francesco Molinari-Pradelli, John Newton, Thomas Schippers, Robert El Hage, Ezio Flagello, Laura Londi, Corinne Vozza, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Orchestra, Júlia Hamari, Orchestra of the Rome Opera House, Daniel Guss, Mario Sereni, Giorgio Tozzi, Hartje Mueller, Carlo Bergonzi, Arturo Basile, Reri Grist, RCA Italiana Opera Chorus, Oliviero de Fabritiis, Leontyne Price
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
