- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Scott Merrill, Studio Chorus, Thomas Stewart, Hiram Sherman, Jane Connell, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Burgess Meredith, Samuel Matlowsky, Jean Sanders
- Erich Ponto, Theo Mackeben, Lewis Ruth Band, Willy Trenk-Trebitsch, Carola Neher, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Bertolt Brecht, Studio Chorus
- Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Martin Hoeppner, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Wolfgang Neuss, Inge Wolffberg, Kurt Hellwig
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
