- Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra
- Hiram Sherman, Scott Merrill, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Studio Orchestra, Jane Connell, Jean Sanders, Burgess Meredith, Bob Shaver, Studio Chorus, Thomas Stewart, William Malten
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Studio Chorus, Gerda Madsen, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Carola Neher, Theo Mackeben, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Bertolt Brecht, Erika Helmke, Florelle
- Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Martin Hoeppner, Trude Hesterberg, Wolfgang Neuss, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Wolfgang Grunert, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
