- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin
- William Malten, Samuel Matlowsky, Burgess Meredith, Lotte Lenya, Evelyn Lear, Bob Shaver, Hiram Sherman, Jane Connell, Scott Merrill, Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra
- Erich Ponto, Arthur Schroeder, Lotte Lenya, Marek Weber, Gerda Madsen, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Marek Weber Orchester, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Carola Neher, Studio Orchestra, Studio Chorus, Kurt Gerron, Studio Pianist, Lewis Ruth Band, Bertolt Brecht
- Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Trude Hesterberg, Kurt Hellwig, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Berlin Sender Freies Chorus, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch
- Erich Ponto, Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
