- Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- William Malten, Scott Merrill, Hiram Sherman, Burgess Meredith, Jane Connell, Jean Sanders, Studio Orchestra, Studio Chorus, Thomas Stewart, Bob Shaver, Samuel Matlowsky, Lotte Lenya, Evelyn Lear
- Theo Mackeben, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Kurt Gerron, Bertolt Brecht, Carola Neher, Studio Chorus, Lotte Lenya, Marek Weber, Studio Orchestra, Willy Trenk-Trebitsch, Marek Weber Orchester, Erika Helmke, Florelle, Arthur Schroeder, Lewis Ruth Band, Studio Pianist
- Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Trude Hesterberg, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Willy Trenk-Trebitsch, Martin Hoeppner, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Inge Wolffberg
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
