- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Chor des Sender Freies Berlin
- Studio Orchestra, Bob Shaver, Jane Connell, William Malten, Studio Chorus, Thomas Stewart, Scott Merrill, Hiram Sherman, Burgess Meredith, Samuel Matlowsky, Jean Sanders, Lotte Lenya, Evelyn Lear
- Erich Ponto, Marek Weber Orchester, Erika Helmke, Florelle, Arthur Schroeder, Lotte Lenya, Marek Weber, Kurt Gerron, Studio Orchestra, Lewis Ruth Band, Studio Chorus, Theo Mackeben, Bertolt Brecht, Gerda Madsen, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Studio Pianist
- Wolfgang Grunert, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Gunther Arndt Orchestra, Kurt Hellwig, Berlin Sender Freies Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
