‎Handel: Memoirs 5 von Verschiedene Interpret:innen

Pt. 1 No. 11, The People That Walked In Darkness (Bass) [Live at Cathedral of Brixen, 08/28/2009]

Musica Saeculorum, Dominik Wörner, Philipp von Steinaecker

4:03

Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) [Live at Cathedral of Brixen, 08/28/2009]

Musica Saeculorum, Kristina Hammarström, Philipp von Steinaecker

5:01

Pt. 2 No. 36, The Lord Gave the Word (Chorus) [Live at Cathedral of Brixen, 08/28/2009]

Musica Saeculorum, Philipp von Steinaecker

1:06

Observations on the works: Before we enter on the examinations

Richard Wistreich

0:41

Observations on the works: Music is founded on established rules

Richard Wistreich

0:42

Observations on the works: The rules are derived from experience

Richard Wistreich

0:38

Observations on the works: The former of these

Richard Wistreich

0:36

Observations on the works: Such passages

Richard Wistreich

0:35

Observations on the works: Hence too we may conclude

Richard Wistreich

0:31

Observations on the works: As tste implies a natural sensibility

Richard Wistreich

0:32

Observations on the works: Art is here not only useless, but dangerous

Richard Wistreich

0:31

German and italian styles, Handel's preference for the italian: What gives me the fuller assurance

Richard Wistreich

0:37

German and italian styles, Handel's preference for the italian: The Taste in Music

Richard Wistreich

0:39

German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen

Richard Wistreich

0:33

German and italian styles, Handel's preference for the italian: When we consider two kinds of Music

Richard Wistreich

0:32

German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part

Richard Wistreich

0:33

German and italian styles, Handel's preference for the italian: This appeares from particular instances

Richard Wistreich

0:35

Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina

Richard Wistreich

0:32

Italian music since Palestrina: It happened, as it naturally must

Richard Wistreich

0:37

Italian music since Palestrina: For their instrumental parts

Richard Wistreich

0:34

Italian music since Palestrina: The one is, that they have little time for composing

Richard Wistreich

0:35

Italian music since Palestrina: Almost every composer of genius in Italy

Richard Wistreich

0:37

Italian music since Palestrina: This in some degree

Richard Wistreich

0:46

Interaction between Handel and the italians: From all that has been said

Richard Wistreich

0:52

Interaction between Handel and the italians: And as some proof of Handel's influence in Italy

Richard Wistreich

0:52

Value of harmony and melody: But in order to make a right judgement

Richard Wistreich

0:39

Value of harmony and melody: The concertos of Tartini

Richard Wistreich

0:38

Value of harmony and melody: Rousseau has developed this matter wonderfully

Richard Wistreich

0:48

Value of harmony and melody: His uncommon strenght in the instrumental way

Richard Wistreich

0:47

Value of harmony and melody: It may also be added

Richard Wistreich

0:41

Value of harmony and melody: Yet in many others all parts are so nicely adjusted

Richard Wistreich

0:42

Value of harmony and melody: The best Painter would be blamed

Richard Wistreich

0:37

Uneven success in Handel: To speak the plain truth

Richard Wistreich

0:40

Uneven success in Handel: A gentleman whom he had desired

Richard Wistreich

0:38

Uneven success in Handel "Un disprezzato affetto"

Richard Wistreich

0:40

Tartini as example of vocal writing for instruments: Here too we will see

Richard Wistreich

0:31

Tartini as example of vocal writing for instruments: After all the vocal species

Richard Wistreich

0:33

Tartini as example of vocal writing for instruments: As most difficult passages

Richard Wistreich

0:59

Importance of textual considerations in composition: And here I just may take notice

Richard Wistreich

0:38

Importance of textual considerations in composition: A too close attachment

Richard Wistreich

0:35

Importance of textual considerations in composition: The English tongue

Richard Wistreich

0:45

Importance of textual considerations in composition: If it abounds with noble images

Richard Wistreich

0:40

Exceptional nature of Handels choral music: In his Chorusses he is without a rival

Richard Wistreich

0:45

Exceptional nature of Handels choral music: It is true that in the admirable epistle

Richard Wistreich

0:37

Exceptional nature of Handels choral music: But there are many reasons

Richard Wistreich

0:34

Exceptional nature of Handels choral music: It is however no way improbable

Richard Wistreich

0:37

Effects of Handel's oratorio style, Messiah: As his Oratorios

Richard Wistreich

0:38

Effects of Handel's oratorio style, Messiah: After these vast efforts of genius

Richard Wistreich

0:50

Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception

Richard Wistreich

0:46

Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music

Richard Wistreich

0:55

Duets, trios and Acis and Galatea: The Duettos and Terzettos were made at different times

Richard Wistreich

0:40

Duets, trios and Acis and Galatea: The author hat only himself to please

Richard Wistreich

1:11

Duets, trios and Acis and Galatea: It was not to be disembled

Richard Wistreich

0:45

Duets, trios and Acis and Galatea: The Duetto beginning Amiravi mio sono intento

Richard Wistreich

0:47

Duets, trios and Acis and Galatea: Among the Trios "Quando non ho più core"

Richard Wistreich

0:51

Duets, trios and Acis and Galatea: Though the Duettos and Trios in his Operas and Oratorios

Richard Wistreich

0:50

Duets, trios and Acis and Galatea: The Cantatas now remaining

Richard Wistreich

0:37

Qualities of instrumental music: In his Music for Instruments

Richard Wistreich

0:40

Qualities of instrumental music: Tho' no man ever introduced such a number of instruments

Richard Wistreich

0:34

Keyboard music: Harpsichord Lessons

Richard Wistreich

0:36

Keyboard music: Indeed there seems to be more work in that

Richard Wistreich

0:31

Place and significance of religion and humanity in Handel's works

Richard Wistreich

1:10

Exemplary character of Handel's works: The hopes of rendering some service to Music

Richard Wistreich

0:58

Exemplary character of Handel's works: At all events

Richard Wistreich

0:38

Exemplary character of Handel's works: Our most fashonable Music

Richard Wistreich

0:31

Handel - Memoirs 5 - 63 - Exemplary character of Handel's works Such a decay

Richard Wistreich

0:46

Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) [Live at Cathedral of Brixen, 08/28/2009]

Philipp von Steinaecker, Musica Saeculorum

2:14

Pt. 1 No. 17, Glory to God In the Highest (Chorus) [Live at Cathedral of Brixen, 08/28/2009]

Musica Saeculorum, Philipp von Steinaecker

1:55

Pt. 2 No. 43, Hallelujah! (Chorus) [Live at Cathedral of Brixen, 08/28/2009]

Musica Saeculorum, Philipp von Steinaecker

3:39

Georg Friedrich Händel

Komponist:in
Dominik Wörner

Bass
Philipp von Steinaecker

Dirigent:in
Kristina Hammarström

Mezzosopran
Richard Wistreich

Gesprochenes Wort

Handel: Memoirs 5

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