Act I Scene 1: Preludio
Jose Nait, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Jose Nait, Alfredo Kraus, Beverly Sills
Act I Scene 1: Tu sei turbato! (Normanno)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke
Act I Scene 1: Cruda funesta smania (Enrico)
Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Juan Emilio Martini, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Jose Nait, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke
Act I Scene 1: La pietade in suo favore (Enrico)
Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Alfredo Kraus, Juan Emilio Martini, Lidia de la Merced, Victor de Narke
Act I Scene 2: Preludio
Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Jose Nait, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Ancor non giunse! (Lucia)
Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Jose Nait, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Regnava nel silenzio (Lucia)
Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Victor de Narke, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Juan Emilio Martini
Act I Scene 2: Quando rapito in estasi (Lucia)
Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Lidia de la Merced, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Egli s'avanza (Alisa)
Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Victor de Narke, Jose Nait, Beverly Sills, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Alfredo Kraus, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Gian Piero Mastromei, Victor de Narke
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Gian Piero Mastromei
Act II Scene 1: Appressati, Lucia (Lucia)
Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Gian Piero Mastromei, Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Soffriva nel pianto … (Lucia)
Jose Nait, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei
Act II Scene 1: Che fia … (Lucia)
Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Juan Emilio Martini, Beverly Sills
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills
Act II Scene 2: Ebben? (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Lidia de la Merced, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Jose Nait
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills
Act II Scene 2: Dov'e Lucia? (Arturo)
Lidia de la Merced, Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Alfredo Kraus, Jose Nait, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Juan Emilio Martini, Lidia de la Merced, Jose Nait, Victor de Narke, Gian Piero Mastromei
Act III Scene 1: Orrida e questa notte (Edgardo)
Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Beverly Sills, Alfredo Kraus, Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke
Act III Scene 2: D'immenso giubilo (Chorus)
Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Beverly Sills, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Beverly Sills, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Oh giusto cielo! (Chorus)
Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Juan Emilio Martini, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: S'avanza Enrico (Raimondo)
Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Juan Emilio Martini, Beverly Sills, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Si tragga altrove (Enrico)
Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke, Beverly Sills, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Beverly Sills, Jose Nait, Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Lidia de la Merced
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke
Act III Scene 3: Oh, meschina! (Chorus)
Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Gian Piero Mastromei
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Gian Piero Mastromei, Beverly Sills
