- Trude Hesterberg, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin
- Studio Orchestra, Bob Shaver, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Burgess Meredith, William Malten, Studio Chorus, Jean Sanders, Hiram Sherman, Scott Merrill, Thomas Stewart, Jane Connell
- Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Gerda Madsen, Arthur Schroeder, Erich Ponto, Lewis Ruth Band, Carola Neher, Erika Helmke, Florelle, Bertolt Brecht, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber
- Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Kurt Hellwig, Gunther Arndt Orchestra, Martin Hoeppner, Berlin Sender Freies Chorus, Wolfgang Grunert, Inge Wolffberg, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Trude Hesterberg
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
