- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Wolfgang Neuss, Sender Freies Berlin Orchestra, Inge Wolffberg
- Burgess Meredith, Samuel Matlowsky, Hiram Sherman, Studio Orchestra, Scott Merrill, Jane Connell, Lotte Lenya, Evelyn Lear, Jean Sanders, Studio Chorus, Thomas Stewart, William Malten, Bob Shaver
- Studio Chorus, Willy Trenk-Trebitsch, Theo Mackeben, Gerda Madsen, Ruth Lewis Band, Florelle, Erika Helmke, Bertolt Brecht, Lotte Lenya, Marek Weber, Carola Neher, Arthur Schroeder, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Studio Orchestra, Marek Weber Orchester, Kurt Gerron, Erich Ponto, Studio Pianist
- Kurt Hellwig, Paul Otto Kuster, Josef Hausmann, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Trude Hesterberg, Martin Hoeppner, Berlin Sender Freies Orchestra, Wolfgang Neuss
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
