- Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Chor des Sender Freies Berlin
- Scott Merrill, Bob Shaver, Hiram Sherman, Studio Orchestra, Lotte Lenya, Evelyn Lear, Jean Sanders, Studio Chorus, Thomas Stewart, Jane Connell, Burgess Meredith, William Malten, Samuel Matlowsky
- Erika Helmke, Florelle, Theo Mackeben, Lotte Lenya, Marek Weber, Erich Ponto, Kurt Gerron, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Lewis Ruth Band, Carola Neher, Marek Weber Orchester, Arthur Schroeder, Gerda Madsen, Willy Trenk-Trebitsch, Bertolt Brecht, Studio Pianist, Studio Orchestra
- Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Trude Hesterberg, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Wolfgang Grunert
- Erika Helmke, Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
