- Sender Freies Berlin Orchestra, Inge Wolffberg, Trude Hesterberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Burgess Meredith, Scott Merrill, Jean Sanders, Studio Chorus, Thomas Stewart, Samuel Matlowsky, William Malten, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Orchestra, Hiram Sherman, Jane Connell
- Theo Mackeben, Gerda Madsen, Lotte Lenya, Marek Weber, Studio Orchestra, Florelle, Erika Helmke, Studio Pianist, Lewis Ruth Band, Willy Trenk-Trebitsch, Studio Chorus, Arthur Schroeder, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Erich Ponto, Marek Weber Orchester, Kurt Gerron, Carola Neher, Bertolt Brecht
- Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Paul Otto Kuster, Josef Hausmann, Inge Wolffberg, Wolfgang Grunert, Trude Hesterberg, Berlin Sender Freies Orchestra, Martin Hoeppner, Berlin Sender Freies Chorus, Kurt Hellwig
- Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
