- Wolfgang Grunert, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss
- Samuel Matlowsky, Jean Sanders, Scott Merrill, Bob Shaver, Burgess Meredith, William Malten, Hiram Sherman, Studio Orchestra, Studio Chorus, Thomas Stewart, Jane Connell, Lotte Lenya, Evelyn Lear
- Marek Weber Orchester, Kurt Gerron, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Theo Mackeben, Carola Neher, Erich Ponto, Arthur Schroeder, Gerda Madsen, Willy Trenk-Trebitsch, Bertolt Brecht, Studio Pianist, Studio Orchestra, Studio Chorus, Lewis Ruth Band, Lotte Lenya, Marek Weber
- Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Martin Hoeppner, Trude Hesterberg, Berlin Sender Freies Orchestra, Kurt Hellwig, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Erika Helmke, Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
