- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin
- William Malten, Studio Orchestra, Samuel Matlowsky, Hiram Sherman, Jean Sanders, Jane Connell, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Bob Shaver, Burgess Meredith
- Carola Neher, Studio Pianist, Studio Orchestra, Erika Helmke, Florelle, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Theo Mackeben, Erich Ponto, Studio Chorus, Willy Trenk-Trebitsch, Lewis Ruth Band
- Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Kurt Hellwig, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Martin Hoeppner, Wolfgang Grunert, Trude Hesterberg, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
