- Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Samuel Matlowsky, Bob Shaver, Scott Merrill, William Malten, Jane Connell, Hiram Sherman, Burgess Meredith, Jean Sanders, Studio Chorus, Thomas Stewart, Studio Orchestra, Lotte Lenya, Evelyn Lear
- Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Erich Ponto, Lewis Ruth Band, Arthur Schroeder, Theo Mackeben, Studio Chorus, Studio Pianist, Studio Orchestra, Gerda Madsen, Bertolt Brecht, Carola Neher, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Lotte Lenya, Marek Weber
- Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Kurt Hellwig, Gunther Arndt Orchestra, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
