- Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin
- William Malten, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Bob Shaver, Jane Connell, Burgess Meredith, Hiram Sherman, Studio Orchestra, Scott Merrill, Studio Chorus, Thomas Stewart, Jean Sanders
- Bertolt Brecht, Lotte Lenya, Marek Weber, Gerda Madsen, Erich Ponto, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Lewis Ruth Band, Arthur Schroeder, Theo Mackeben, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra, Carola Neher
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Martin Hoeppner, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
