- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert
- William Malten, Studio Orchestra, Scott Merrill, Burgess Meredith, Jane Connell, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Bob Shaver, Hiram Sherman, Samuel Matlowsky, Jean Sanders
- Carola Neher, Studio Orchestra, Studio Pianist, Erich Ponto, Marek Weber Orchester, Theo Mackeben, Erika Helmke, Florelle, Arthur Schroeder, Kurt Gerron, Lewis Ruth Band, Gerda Madsen, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Studio Chorus, Willy Trenk-Trebitsch
- Wolfgang Grunert, Berlin Sender Freies Orchestra, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wolfgang Neuss, Gunther Arndt Orchestra, Kurt Hellwig, Inge Wolffberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
