- Trude Hesterberg, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Willy Trenk-Trebitsch, Wolfgang Grunert
- Bob Shaver, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Studio Orchestra, William Malten, Burgess Meredith, Scott Merrill, Lotte Lenya, Evelyn Lear, Jane Connell, Jean Sanders, Hiram Sherman
- Theo Mackeben, Arthur Schroeder, Gerda Madsen, Erika Helmke, Florelle, Studio Chorus, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Carola Neher, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Bertolt Brecht, Erich Ponto
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Berlin Sender Freies Chorus, Wolfgang Grunert, Wolfgang Neuss, Berlin Sender Freies Orchestra, Martin Hoeppner, Gunther Arndt Orchestra, Trude Hesterberg, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
