- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Samuel Matlowsky, Scott Merrill, Studio Chorus, Thomas Stewart, Jean Sanders, Jane Connell, Bob Shaver, Hiram Sherman, Burgess Meredith
- Studio Pianist, Gerda Madsen, Kurt Gerron, Lewis Ruth Band, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Theo Mackeben, Arthur Schroeder, Studio Orchestra, Studio Chorus, Erich Ponto, Marek Weber Orchester, Carola Neher, Bertolt Brecht
- Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Kurt Hellwig, Wolfgang Grunert, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Berlin Sender Freies Orchestra, Wolfgang Neuss, Inge Wolffberg
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
