- Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch
- Lotte Lenya, Evelyn Lear, Samuel Matlowsky, William Malten, Bob Shaver, Burgess Meredith, Studio Orchestra, Scott Merrill, Jane Connell, Studio Chorus, Thomas Stewart, Jean Sanders, Hiram Sherman
- Studio Orchestra, Erich Ponto, Arthur Schroeder, Gerda Madsen, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Bertolt Brecht, Studio Chorus, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Carola Neher, Studio Pianist, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber
- Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Wolfgang Neuss, Inge Wolffberg, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
