- Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Neuss, Willy Trenk-Trebitsch
- William Malten, Bob Shaver, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Jane Connell, Jean Sanders, Lotte Lenya, Evelyn Lear, Burgess Meredith, Studio Orchestra, Scott Merrill, Hiram Sherman
- Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Studio Pianist, Studio Orchestra, Arthur Schroeder, Willy Trenk-Trebitsch, Carola Neher, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Gerda Madsen, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Erich Ponto
- Berlin Sender Freies Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Wolfgang Grunert, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Inge Wolffberg, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
