- Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin
- Lotte Lenya, Evelyn Lear, Burgess Meredith, Studio Chorus, Thomas Stewart, Hiram Sherman, Scott Merrill, Jane Connell, Samuel Matlowsky, Jean Sanders, William Malten, Bob Shaver, Studio Orchestra
- Erika Helmke, Florelle, Arthur Schroeder, Kurt Gerron, Lotte Lenya, Marek Weber, Lewis Ruth Band, Erich Ponto, Marek Weber Orchester, Studio Orchestra, Studio Pianist, Carola Neher, Bertolt Brecht, Studio Chorus, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Theo Mackeben
- Inge Wolffberg, Wolfgang Grunert, Kurt Hellwig, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Martin Hoeppner, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Erich Ponto, Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
