- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Wolfgang Neuss
- Burgess Meredith, William Malten, Samuel Matlowsky, Jane Connell, Studio Chorus, Thomas Stewart, Scott Merrill, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Orchestra, Jean Sanders, Hiram Sherman
- Marek Weber Orchester, Lewis Ruth Band, Studio Pianist, Carola Neher, Studio Orchestra, Studio Chorus, Willy Trenk-Trebitsch, Gerda Madsen, Kurt Gerron, Arthur Schroeder, Theo Mackeben, Erich Ponto, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Bertolt Brecht
- Inge Wolffberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Wolfgang Grunert, Martin Hoeppner, Wolfgang Neuss, Trude Hesterberg, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
