- Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Lotte Lenya, Evelyn Lear, William Malten, Samuel Matlowsky, Studio Orchestra, Bob Shaver, Hiram Sherman, Scott Merrill, Burgess Meredith, Studio Chorus, Thomas Stewart, Jean Sanders, Jane Connell
- Studio Pianist, Erich Ponto, Lewis Ruth Band, Arthur Schroeder, Willy Trenk-Trebitsch, Studio Orchestra, Erika Helmke, Florelle, Bertolt Brecht, Carola Neher, Lotte Lenya, Marek Weber, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Gerda Madsen
- Gunther Arndt Orchestra, Wolfgang Neuss, Kurt Hellwig, Willy Trenk-Trebitsch, Martin Hoeppner, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Wolfgang Grunert, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
