- Wolfgang Neuss, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Sender Freies Berlin Orchestra, Inge Wolffberg, Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch
- Burgess Meredith, Jane Connell, Lotte Lenya, Evelyn Lear, Jean Sanders, Scott Merrill, Studio Chorus, Thomas Stewart, Bob Shaver, Hiram Sherman, William Malten, Studio Orchestra, Samuel Matlowsky
- Erich Ponto, Arthur Schroeder, Florelle, Erika Helmke, Willy Trenk-Trebitsch, Theo Mackeben, Studio Pianist, Lotte Lenya, Marek Weber, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Gerda Madsen, Studio Chorus, Lewis Ruth Band, Carola Neher, Bertolt Brecht, Studio Orchestra, Marek Weber Orchester, Kurt Gerron
- Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Berlin Sender Freies Chorus, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Martin Hoeppner, Paul Otto Kuster, Josef Hausmann, Berlin Sender Freies Orchestra
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
