- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Wolfgang Neuss
- Burgess Meredith, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Studio Orchestra, Jane Connell, Scott Merrill, Jean Sanders, William Malten, Hiram Sherman
- Studio Chorus, Erich Ponto, Theo Mackeben, Carola Neher, Lewis Ruth Band, Gerda Madsen, Kurt Gerron, Willy Trenk-Trebitsch, Arthur Schroeder, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Studio Orchestra, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Pianist
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Gunther Arndt Orchestra, Martin Hoeppner, Willy Trenk-Trebitsch, Kurt Hellwig, Trude Hesterberg, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Wolfgang Neuss
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
