- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Chor des Sender Freies Berlin, Trude Hesterberg
- Jane Connell, Scott Merrill, Samuel Matlowsky, Bob Shaver, Jean Sanders, Thomas Stewart, Studio Orchestra, Studio Chorus, Evelyn Lear, Lotte Lenya, Hiram Sherman, William Malten, Burgess Meredith
- Theo Mackeben, Erich Ponto, Studio Orchestra, Willy Trenk-Trebitsch, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Studio Chorus, Studio Pianist, Erika Helmke, Florelle, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber, Bertolt Brecht, Lewis Ruth Band, Carola Neher
- Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Martin Hoeppner, Inge Wolffberg, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Wolfgang Neuss
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
