- Aldo Baldin, Júlia Hamari, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Helen Watts, Philippe Huttenlocher, Bach-Collegium Stuttgart, Uta Spreckelsen, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Wolfgang Schöne, Adalbert Kraus, Indiana University Chamber Singers, Arleen Auger, Kathrin Graf, Gächinger Kantorei Stuttgart, Helmuth Rilling
- Karl Ridderbusch, Adolf Dallapozza, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Margaret Marshall, Wolfram Gehring, Kunizaku Ohashi, Werner Krenn, Júlia Hamari, Cornelia Wulkopf, Koln Radio Choir, Günter Wand, Cologne Radio Symphony Orchestra
- RCA Italiana Opera Chorus, Júlia Hamari, Arturo Basile, Shirley Verrett, Robert Merrill, Erich Leinsdorf, John Newton, Ezio Flagello, Orchestra of the Rome Opera House, Daniel Guss, Mario Sereni, Reri Grist, Hartje Mueller, Carlo Bergonzi, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Oliviero de Fabritiis, Leontyne Price, RCA Italiana Opera Orchestra, Giorgio Tozzi, Laura Londi, Corinne Vozza
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
