- Helmuth Rilling, Arleen Auger, Stuttgart Figuralchor der Gedachtniskirche, Philippe Huttenlocher, Júlia Hamari, Adalbert Kraus, Wolfgang Schöne, Helen Watts, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Walter Heldwein, Indiana University Chamber Singers, Bach-Collegium Stuttgart, Bach Ensemble, The, Kathrin Graf, Aldo Baldin, Gächinger Kantorei Stuttgart, Uta Spreckelsen
- Bavarian Radio Chorus, Júlia Hamari, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Kunizaku Ohashi, Werner Krenn, Wolfram Gehring, Karl Ridderbusch, Cologne Radio Symphony Orchestra, Günter Wand, Cornelia Wulkopf, Koln Radio Choir, Adolf Dallapozza, Margaret Marshall
- Ezio Flagello, RCA Italiana Opera Orchestra, Thomas Schippers, Robert El Hage, Oliviero de Fabritiis, Leontyne Price, Reri Grist, Hartje Mueller, Carlo Bergonzi, Fernando Iacopucci, Francesco Molinari-Pradelli, John Newton, Arturo Basile, Júlia Hamari, Daniel Guss, Mario Sereni, Laura Londi, Corinne Vozza, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Orchestra of the Rome Opera House, RCA Italiana Opera Chorus, Giorgio Tozzi
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
