- Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Samuel Matlowsky, William Malten, Studio Orchestra, Bob Shaver, Lotte Lenya, Evelyn Lear, Burgess Meredith, Hiram Sherman, Studio Chorus, Thomas Stewart, Scott Merrill, Jean Sanders, Jane Connell
- Studio Orchestra, Arthur Schroeder, Lotte Lenya, Marek Weber, Studio Chorus, Gerda Madsen, Studio Pianist, Kurt Gerron, Marek Weber Orchester, Ruth Lewis Band, Theo Mackeben, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Erich Ponto, Carola Neher, Bertolt Brecht
- Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Willy Trenk-Trebitsch, Trude Hesterberg, Kurt Hellwig, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Martin Hoeppner, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Wolfgang Neuss
- Lotte Lenya, Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
