- Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Trude Hesterberg
- Hiram Sherman, Jean Sanders, Scott Merrill, William Malten, Lotte Lenya, Evelyn Lear, Burgess Meredith, Samuel Matlowsky, Bob Shaver, Studio Orchestra, Studio Chorus, Thomas Stewart, Jane Connell
- Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Erich Ponto, Kurt Gerron, Lotte Lenya, Marek Weber, Carola Neher, Marek Weber Orchester, Studio Pianist, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Studio Chorus, Studio Orchestra, Lewis Ruth Band, Bertolt Brecht, Gerda Madsen
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Grunert, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Kurt Hellwig, Berlin Sender Freies Orchestra, Wolfgang Neuss, Trude Hesterberg
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
