- Wolfgang Grunert, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- William Malten, Hiram Sherman, Bob Shaver, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Burgess Meredith, Samuel Matlowsky, Jean Sanders, Studio Orchestra, Scott Merrill, Jane Connell
- Willy Trenk-Trebitsch, Gerda Madsen, Erich Ponto, Studio Chorus, Theo Mackeben, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Lotte Lenya, Marek Weber, Carola Neher, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder
- Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Kurt Hellwig, Wolfgang Grunert, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Martin Hoeppner, Inge Wolffberg, Trude Hesterberg
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
