- Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch
- William Malten, Jane Connell, Hiram Sherman, Scott Merrill, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Bob Shaver, Burgess Meredith, Studio Orchestra, Studio Chorus, Thomas Stewart, Jean Sanders
- Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Erika Helmke, Florelle, Erich Ponto, Carola Neher, Gerda Madsen, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Bertolt Brecht, Lewis Ruth Band
- Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Gunther Arndt Orchestra, Inge Wolffberg, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Martin Hoeppner, Kurt Hellwig
- Erika Helmke, Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
