- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert
- Lotte Lenya, Evelyn Lear, Scott Merrill, Hiram Sherman, Studio Orchestra, Jean Sanders, Studio Chorus, Thomas Stewart, Jane Connell, Bob Shaver, William Malten, Burgess Meredith, Samuel Matlowsky
- Lewis Ruth Band, Willy Trenk-Trebitsch, Theo Mackeben, Lotte Lenya, Marek Weber, Arthur Schroeder, Gerda Madsen, Bertolt Brecht, Studio Pianist, Studio Orchestra, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Carola Neher, Erich Ponto, Studio Chorus, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Kurt Hellwig, Wolfgang Grunert, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Inge Wolffberg, Martin Hoeppner
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
