- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Chor des Sender Freies Berlin
- Bob Shaver, Samuel Matlowsky, Burgess Meredith, Studio Orchestra, Lotte Lenya, Evelyn Lear, William Malten, Jane Connell, Jean Sanders, Scott Merrill, Studio Chorus, Thomas Stewart, Hiram Sherman
- Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Arthur Schroeder, Carola Neher, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Theo Mackeben, Lewis Ruth Band, Studio Pianist, Studio Orchestra, Studio Chorus, Bertolt Brecht
- Wolfgang Grunert, Willy Trenk-Trebitsch, Kurt Hellwig, Martin Hoeppner, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Gunther Arndt Orchestra, Berlin Sender Freies Chorus
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
