- Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss
- Bob Shaver, Studio Orchestra, Scott Merrill, Jean Sanders, Jane Connell, Lotte Lenya, Evelyn Lear, William Malten, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Burgess Meredith, Hiram Sherman
- Theo Mackeben, Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Studio Chorus, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra, Arthur Schroeder, Carola Neher, Erika Helmke, Florelle, Studio Pianist, Gerda Madsen
- Inge Wolffberg, Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Wolfgang Grunert, Martin Hoeppner, Willy Trenk-Trebitsch
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
