- Trude Hesterberg, Chor des Sender Freies Berlin, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch
- Jane Connell, Thomas Stewart, Scott Merrill, Lotte Lenya, Samuel Matlowsky, Evelyn Lear, Jean Sanders, William Malten, Studio Orchestra, Burgess Meredith, Hiram Sherman, Studio Chorus, Bob Shaver
- Erika Helmke, Florelle, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Lotte Lenya, Marek Weber, Erich Ponto, Studio Orchestra, Studio Chorus, Willy Trenk-Trebitsch, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Carola Neher, Bertolt Brecht, Studio Pianist
- Inge Wolffberg, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Trude Hesterberg, Wolfgang Grunert, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
