- Wolfgang Grunert, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Sender Freies Berlin Orchestra, Inge Wolffberg
- William Malten, Bob Shaver, Burgess Meredith, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Studio Orchestra, Scott Merrill, Jean Sanders, Jane Connell, Hiram Sherman, Studio Chorus, Thomas Stewart
- Erich Ponto, Studio Chorus, Florelle, Erika Helmke, Carola Neher, Theo Mackeben, Bertolt Brecht, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Lotte Lenya, Marek Weber, Arthur Schroeder, Studio Pianist, Studio Orchestra, Gerda Madsen, Marek Weber Orchester, Kurt Gerron, Willy Trenk-Trebitsch, Lewis Ruth Band
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Wolfgang Neuss, Berlin Sender Freies Chorus, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Paul Otto Kuster, Josef Hausmann, Trude Hesterberg, Inge Wolffberg, Martin Hoeppner
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
