- Emil Markow, Orchestra dell Teatro della Roma, Royal Orchestra, Nils Grevillius, Licia Albanese, Renato Cellini, Jussi Björling, Stockholm Concert Association Orchestra, RCA Victor Symphony Orchestra, Robert Merrill, Jonel Perlea
- Stockholm Royal Opera Chorus, Sixten Ehrling, Busk Margit Jonsson, Nils Grevillius, Royal Opera Chorus, Anders Naslund, Herbert Sandberg, Kurt Bendix, Sigurd Bjorling, Kerstin Meyer, Kjerstin Dellert
- Stockholm Royal Orchestra, Herbert Sandberg, Ruth Moberg, Hugo Hasslo, Nils Grevillius, Sten Frykberg, Lamberto Gardelli, Swedish Radio Symphony Orchestra, Stig Westerberg, Fritz Busch
- Sixten Ehrling, Stockholm Royal Opera Chorus, Helga Gorlin, Issay Alexandrovich Dobrowen, Gosta Bjorling, Einar Andersson, Anders Naslund, Georg Svendenbrant, Herbert Sandberg, Brita Hertzberg, Sonja Norin, Gota Allard, Leo Blech, Folke Jonsson, Arne Ohlson, Nils Grevillius, Lars Billengren, Simon Edwardsen, Henriette Guermant, Jussi Björling, Conny Molin, Barbro Ericson, Sigurd Bjorling, Leon Bjorker
- Nils Grevillius, Elisabeth Söderström, Florence Widgren, Herbert Sandberg, Lars-Erik Larsson, Inge-Gerd Norlin, Hjördis Schymberg, Sigurd Bjorling, Birgit Nilsson, Set Svanholm, Swedish Radio Symphony Orchestra, Tor Mann, Stockholm Royal Orchestra, Sixten Ehrling
Nils Grevillius
Biography
The leading Swedish conductor of his time, Nils Grevillius was also the best known, recognized by record collectors world wide as the director on a prized disc by the young Jussi Björling; he continued to work with the Swedish tenor for the duration the artist's life. Grevillius provided the orchestral direction for projects featuring other leading Swedish singers as well. Orchestral music received even greater attention from Grevillius through his nearly four decades with Stockholm's most important orchestras. After studies at the Stockholm Conservatory, Grevillius was engaged as leader of the Royal Opera Orchestra in 1911, remaining in the concertmaster's position until 1914. Wishing to become a conductor, he pursued further studies in England and Germany and was soon awarded with an appointment to the Stockholm Konsert Førening, where he served as an assistant conductor from 1914 to 1920. In 1924, he was made conductor of the Royal Orchestra, remaining with the ensemble until 1953. From 1927 to 1939, he held the title of music director with the Stockholm Royal Opera, after having previously served there as a coach. In 1931, he was honored with the title court musical director with the SRO Aside from his activities in Sweden, Grevillius undertook a select number of engagements outside his native country. He led orchestral concerts in several major European capitals and even led a season of Swedish ballet in Paris under the title Ballet Suédois in 1922. Outside Sweden, Grevillius remains most closely identified with opera, especially with the accompaniment he provided on recordings by his country's best-known singers. In addition to Björling, heroic Set Svanholm and sopranos Birgit Nilsson and Elisabeth Söderström were among those to benefit from his well-judged direction. A disc of arias by Swedish coloratura soprano Margareta Hallin offers another example of the kind of support that made Grevillius a favorite with singers: flexible, yet firm, but never rigid.