- Afro Poli, Orchestra Sinfonica Nazionale della RAI di Milano, Bruna Rizzoli, Sesto Bruscantini, Cesare Valletti, Alda Noni, Gianandrea Gavazzeni, Coro de Milano della RAI
- Monica Bacelli, Gustav Kuhn, Albert Dohmen, Anna Caterina Antonacci, Richard Decker, Marchigiana Philharmonic Orchestra
- Massimiliano Malaspina, Sesto Bruscantini, Carlo Franci, Coro di Milan della RAI, Orchestra Sinfonica Di Roma Della RAI, Coro di Roma della RAI, Ralph Lambert, Alfredo Simonetto, Elena Zilio, Orchestra sinfonica di Milan della RAI, Emilia Ravaglia, Adriana Guerrini, Aldo Bottion
- Juan Oncina, Sesto Bruscantini, Marina De Gabarain, Alda Noni, Vittorio Gui, Glyndebourne Festival Orchestra
- Royal Philharmonic Orchestra, The Glyndebourne Chorus, Vittorio Gui, Hugues Cuénod, Ilva Ligabue, Geraint Evans, Sesto Bruscantini
Sesto Bruscantini
Biography
Not many historical details are known about this Italian bass baritone who is mainly famous for his comic opera roles. At some point after earning a law degree, Bruscantini studied voice with Luigi Ricci, who was the noted author of Cadenzas, a well-known text on the art of bel canto singing. Bruscantini made his debut in 1946 at Porto Civitanova in Puccini's La bohème and went on to create 130 parts in 108 operas. He was best known for his role in Rossini's Il barbière di Siviglia (The Barber of Seville), but he also sang in operas that were seldom produced, such as Piccinni's La Buona Figliuola and Boccherini's La Clementina. Bruscantini was often heard in the 1950s at famous houses like La Scala, Glyndebourne, and so on, and he sang on-stage well into in the 1990s.