- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Thomas Stewart, Evelyn Lear, Lotte Lenya, Jean Sanders, Burgess Meredith, William Malten, Studio Orchestra, Hiram Sherman, Studio Chorus, Bob Shaver, Scott Merrill, Samuel Matlowsky, Jane Connell
- Carola Neher, Erich Ponto, Erika Helmke, Florelle, Studio Pianist, Studio Orchestra, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Studio Chorus, Willy Trenk-Trebitsch, Ruth Lewis Band, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Bertolt Brecht
- Kurt Hellwig, Inge Wolffberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Berlin Sender Freies Orchestra
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
