- Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss
- Scott Merrill, Studio Chorus, Thomas Stewart, Jane Connell, Bob Shaver, Samuel Matlowsky, William Malten, Burgess Meredith, Hiram Sherman, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Orchestra
- Lotte Lenya, Marek Weber, Erich Ponto, Arthur Schroeder, Theo Mackeben, Marek Weber Orchester, Gerda Madsen, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Studio Chorus, Carola Neher, Kurt Gerron, Erika Helmke, Florelle, Studio Orchestra, Studio Pianist, Willy Trenk-Trebitsch
- Inge Wolffberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Kurt Hellwig, Wolfgang Neuss, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
