- Chor des Sender Freies Berlin, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss
- Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra, Samuel Matlowsky, Scott Merrill, Jane Connell, Lotte Lenya, Evelyn Lear, Hiram Sherman, Burgess Meredith, William Malten, Bob Shaver
- Kurt Gerron, Marek Weber Orchester, Carola Neher, Lewis Ruth Band, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Willy Trenk-Trebitsch, Arthur Schroeder, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Gerda Madsen, Studio Orchestra, Bertolt Brecht, Studio Pianist, Studio Chorus
- Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Martin Hoeppner, Berlin Sender Freies Orchestra, Kurt Hellwig
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
