- Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin
- Samuel Matlowsky, Bob Shaver, Hiram Sherman, Scott Merrill, Studio Chorus, Thomas Stewart, Jean Sanders, Lotte Lenya, Evelyn Lear, Burgess Meredith, Studio Orchestra, William Malten, Jane Connell
- Willy Trenk-Trebitsch, Carola Neher, Studio Chorus, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Arthur Schroeder, Studio Pianist, Studio Orchestra, Bertolt Brecht, Lotte Lenya, Marek Weber, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Erika Helmke, Florelle
- Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Kurt Hellwig, Martin Hoeppner, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
