- Chor des Sender Freies Berlin, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg
- Samuel Matlowsky, Jean Sanders, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Burgess Meredith, Studio Orchestra, Hiram Sherman, William Malten, Scott Merrill, Bob Shaver, Jane Connell
- Erich Ponto, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Carola Neher, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Willy Trenk-Trebitsch, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Lewis Ruth Band, Studio Chorus
- Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Berlin Sender Freies Orchestra, Wolfgang Neuss, Wolfgang Grunert, Martin Hoeppner, Berlin Sender Freies Chorus, Kurt Hellwig
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
