- Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss
- Jean Sanders, Samuel Matlowsky, Burgess Meredith, Jane Connell, Studio Orchestra, Hiram Sherman, William Malten, Studio Chorus, Thomas Stewart, Bob Shaver, Scott Merrill, Lotte Lenya, Evelyn Lear
- Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Studio Orchestra, Studio Chorus, Willy Trenk-Trebitsch, Lewis Ruth Band, Bertolt Brecht, Gerda Madsen, Theo Mackeben, Carola Neher, Studio Pianist, Erika Helmke, Florelle
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Berlin Sender Freies Chorus, Inge Wolffberg, Berlin Sender Freies Orchestra, Trude Hesterberg, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Wolfgang Neuss, Willy Trenk-Trebitsch
- Lotte Lenya, Otto Klemperer, Berliner Staatsoper Orchester, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
