- Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss, Chor des Sender Freies Berlin
- Burgess Meredith, Jean Sanders, Lotte Lenya, Evelyn Lear, Jane Connell, Hiram Sherman, Samuel Matlowsky, Studio Chorus, Thomas Stewart, William Malten, Studio Orchestra, Bob Shaver, Scott Merrill
- Gerda Madsen, Bertolt Brecht, Erich Ponto, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Carola Neher, Theo Mackeben, Erika Helmke, Florelle, Arthur Schroeder, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber
- Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Martin Hoeppner, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch, Inge Wolffberg, Wolfgang Neuss, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus
- Otto Klemperer, Bertolt Brecht, Berliner Staatsoper Orchester, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
