- Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Burgess Meredith, Lotte Lenya, Evelyn Lear, Scott Merrill, Jane Connell, Bob Shaver, Hiram Sherman, Jean Sanders, William Malten, Studio Orchestra, Studio Chorus, Thomas Stewart, Samuel Matlowsky
- Erich Ponto, Willy Trenk-Trebitsch, Kurt Gerron, Studio Orchestra, Studio Chorus, Arthur Schroeder, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Marek Weber Orchester, Studio Pianist, Theo Mackeben, Gerda Madsen, Carola Neher, Bertolt Brecht, Lewis Ruth Band
- Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Inge Wolffberg, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Wolfgang Grunert, Wolfgang Neuss, Berlin Sender Freies Chorus, Trude Hesterberg, Martin Hoeppner, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg
- Erika Helmke, Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
