- Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Hiram Sherman, Samuel Matlowsky, Burgess Meredith, Jane Connell, Lotte Lenya, Evelyn Lear, Jean Sanders, Bob Shaver, Studio Chorus, Thomas Stewart, William Malten, Scott Merrill, Studio Orchestra
- Willy Trenk-Trebitsch, Theo Mackeben, Studio Chorus, Erika Helmke, Florelle, Gerda Madsen, Studio Pianist, Studio Orchestra, Erich Ponto, Lewis Ruth Band, Lotte Lenya, Marek Weber, Bertolt Brecht, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Kurt Gerron, Marek Weber Orchester, Carola Neher, Arthur Schroeder
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Kurt Hellwig, Wolfgang Neuss, Berlin Sender Freies Orchestra, Trude Hesterberg, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner
- Lotte Lenya, Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
