- Helmuth Rilling, Aldo Baldin, Philippe Huttenlocher, Bach Ensemble, The, Júlia Hamari, Uta Spreckelsen, Wolfgang Schöne, Bach-Collegium Stuttgart, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Indiana University Chamber Singers, Arleen Auger, Gächinger Kantorei Stuttgart, Adalbert Kraus, Helen Watts, Stuttgart Figuralchor der Gedachtniskirche, Kathrin Graf
- Cologne Radio Symphony Orchestra, Júlia Hamari, Karl Ridderbusch, Wolfram Gehring, Cornelia Wulkopf, Koln Radio Choir, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Adolf Dallapozza, Günter Wand
- Hartje Mueller, Carlo Bergonzi, RCA Italiana Opera Chorus, Oliviero de Fabritiis, Leontyne Price, Ezio Flagello, Daniel Guss, Mario Sereni, Giorgio Tozzi, Laura Londi, Corinne Vozza, Thomas Schippers, Robert El Hage, Reri Grist, John Newton, Orchestra of the Rome Opera House, Júlia Hamari, Fernando Iacopucci, Francesco Molinari-Pradelli, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Orchestra, Arturo Basile
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
