- Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert
- William Malten, Studio Orchestra, Jean Sanders, Lotte Lenya, Evelyn Lear, Scott Merrill, Bob Shaver, Burgess Meredith, Hiram Sherman, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Jane Connell
- Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Gerda Madsen, Arthur Schroeder, Studio Pianist, Studio Orchestra, Carola Neher, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Erika Helmke, Florelle, Studio Chorus, Theo Mackeben, Lewis Ruth Band
- Berlin Sender Freies Chorus, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Kurt Hellwig, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Gunther Arndt Orchestra, Trude Hesterberg
- Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
