- Wolfgang Grunert, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg
- Samuel Matlowsky, Scott Merrill, Studio Chorus, Thomas Stewart, William Malten, Jean Sanders, Jane Connell, Hiram Sherman, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Orchestra, Burgess Meredith
- Studio Chorus, Erich Ponto, Theo Mackeben, Erika Helmke, Florelle, Marek Weber Orchester, Arthur Schroeder, Kurt Gerron, Lotte Lenya, Marek Weber, Studio Orchestra, Bertolt Brecht, Lewis Ruth Band, Willy Trenk-Trebitsch, Studio Pianist, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher
- Kurt Hellwig, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Martin Hoeppner, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
