- Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Grunert
- Samuel Matlowsky, Scott Merrill, Burgess Meredith, Jean Sanders, William Malten, Jane Connell, Lotte Lenya, Evelyn Lear, Bob Shaver, Studio Orchestra, Studio Chorus, Thomas Stewart, Hiram Sherman
- Lotte Lenya, Marek Weber, Arthur Schroeder, Lewis Ruth Band, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Carola Neher, Kurt Gerron, Marek Weber Orchester, Erika Helmke, Florelle, Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Studio Chorus, Bertolt Brecht, Erich Ponto
- Wolfgang Grunert, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch, Kurt Hellwig, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Trude Hesterberg, Wolfgang Neuss, Berlin Sender Freies Chorus, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
