- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Trude Hesterberg, Chor des Sender Freies Berlin
- Bob Shaver, Samuel Matlowsky, Burgess Meredith, Hiram Sherman, William Malten, Studio Orchestra, Jane Connell, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Scott Merrill
- Lewis Ruth Band, Theo Mackeben, Willy Trenk-Trebitsch, Studio Orchestra, Marek Weber Orchester, Erika Helmke, Florelle, Erich Ponto, Kurt Gerron, Studio Pianist, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber, Studio Chorus, Gerda Madsen, Carola Neher, Bertolt Brecht
- Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Wolfgang Grunert, Martin Hoeppner, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Gunther Arndt Orchestra
- Lotte Lenya, Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
