- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Jane Connell, Burgess Meredith, Scott Merrill, Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra, William Malten, Lotte Lenya, Evelyn Lear, Bob Shaver, Hiram Sherman
- Arthur Schroeder, Bertolt Brecht, Erich Ponto, Lotte Lenya, Marek Weber, Studio Pianist, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Theo Mackeben, Studio Chorus, Kurt Gerron, Carola Neher, Marek Weber Orchester, Lewis Ruth Band, Erika Helmke, Florelle, Studio Orchestra
- Martin Hoeppner, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Kurt Hellwig, Inge Wolffberg, Berlin Sender Freies Chorus, Trude Hesterberg, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
