- Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Chor des Sender Freies Berlin
- Samuel Matlowsky, Bob Shaver, William Malten, Jean Sanders, Jane Connell, Thomas Stewart, Burgess Meredith, Studio Chorus, Hiram Sherman, Studio Orchestra, Lotte Lenya, Evelyn Lear, Scott Merrill
- Gerda Madsen, Lewis Ruth Band, Carola Neher, Arthur Schroeder, Erich Ponto, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Theo Mackeben, Erika Helmke, Florelle, Willy Trenk-Trebitsch
- Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Trude Hesterberg, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Inge Wolffberg, Berlin Sender Freies Orchestra, Kurt Hellwig, Martin Hoeppner, Wolfgang Neuss
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
