- Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch
- Bob Shaver, William Malten, Samuel Matlowsky, Jane Connell, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Jean Sanders, Burgess Meredith, Scott Merrill, Hiram Sherman, Studio Orchestra
- Carola Neher, Erich Ponto, Bertolt Brecht, Willy Trenk-Trebitsch, Arthur Schroeder, Studio Orchestra, Lotte Lenya, Marek Weber, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Lewis Ruth Band, Theo Mackeben, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle
- Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Trude Hesterberg, Willy Trenk-Trebitsch, Martin Hoeppner, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Wolfgang Neuss
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
